leodoulton
FAST CARS: MANLY PRINCESS PLAY
There’s a concept in game design called Princess Play. Named after a common childhood game of pretending to be a princess, it can be...
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leodoulton
- Sep 1, 2023
- 6 min
The Bookishness of Terry Pratchett: Problems of Adaptation
An ongoing dream of mine is to adapt a Terry Pratchett book into an opera. Because I love opera (with caveats) and I love Terry Pratchett...
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leodoulton
- Apr 16, 2023
- 5 min
Free Choices, Free Goals, Ending Goals: Changing the Win Condition In Interactive Theatre
Beginnings While tearing out pages of my To-Do List (much of which had been done since the latest edition began in October 2021) I found...
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leodoulton
- Feb 24, 2023
- 3 min
Outside The Dungeon: Some Possible Sources For New Kinds Of Mechanic
What would interactive theatre look like if we’d never played The Dragon Game? This is a theme that’s been touched on here before:...
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leodoulton
- Feb 22, 2023
- 5 min
The Sleeping Protagonist
The King of Saving Cats Earlier this week, I had an excellent time at the Interactive Experience Network Huddle listening to Owen...
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leodoulton
- Feb 4, 2023
- 5 min
Haha-Narrative Dissonance: A Challenge For Interactive Comedy
Introduction I am writing having spent a lovely afternoon workshopping an experiment I’ve had in mind for a while [thank you to everyone...
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leodoulton
- Dec 24, 2022
- 5 min
Notes Towards A Steampunk La Bohème
If I have a style (which, alas, I increasingly do as I stagnate away from being a young artist, and get too few opportunities to...
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leodoulton
- Dec 24, 2022
- 4 min
Comedy, Absurdism, and Farce for Interactive Theatre
While I’ve seen light-hearted and schlocky interactive theatre, I’ve never seen something that I’d class as comedy-comedy. Mockery of...
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leodoulton
- Dec 17, 2022
- 5 min
La Commedia e’ Finita!: Two One-Act Batman Operas
CW: Description violence (operatic/Batman-level), blood transfusion Across the years, as someone in the circle of the excellent Chloe...
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leodoulton
- Dec 12, 2022
- 4 min
The Dance: Shakespeare, Opera, and Finding What Comes Next
The short version of this is: directing Shakespeare is much like directing opera. Both times, the text comes with certain ideas that are...
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leodoulton
- Dec 9, 2022
- 6 min
Baby, Don Giovanni’s Outside
It’s Christmas, and time for arguments about whether Baby, It’s Cold Outside is something an enlightened culture ought to listen to. To...
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leodoulton
- Dec 4, 2022
- 2 min
The Literary TTRPG
Within the indie TTRPG space, there is a common joke: that people have more TTRPGs than they will ever play, but keep buying more. That...
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leodoulton
- Jun 21, 2022
- 3 min
Eight Meanings of Tea
A while ago, I was in a post-blog conversation about rituals in interactive theatre and especially the idea of making a cup of tea as...
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leodoulton
- Jun 16, 2022
- 7 min
Playing With All Ages: Interactive Immersive Theatre For Mixed-Age Groups
Having been to a few mixed-age shows of late, I am having thoughts and erupting into Blog. By ‘mixed-age shows’, what I mean is shows...
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leodoulton
- Jun 4, 2022
- 4 min
Proletarian Play: Show Mechanics And Immersive Mecha
Last week (here: https://www.leodoulton.com/post/genre-as-onboarding) I mentioned that I wanted to write an article about this. And so I...
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leodoulton
- Apr 30, 2022
- 4 min
Randomness and Existential Immersion
A while ago, I was on an interactive theatre training course which mentioned that many mechanics (i.e. ways the audience can influence...
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leodoulton
- Mar 30, 2022
- 2 min
Wibbly-Wobbly Time-Travelling Spaces
So, London boutique immersive theatre now has a second space to join the much-loved Colab Tavern: the Parabolic Crypt. Both are amazing...
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