Interactive Immersive Theatre 5/5

leodoulton

A Fortnight at Aldeburgh (Part 6): Immersive Theatre As Modern Ritual

This is the fifth in a seven-part sequence of blogs going into the work on Come Bargain With Uncanny Things done during my Creative...

leodoulton

A Fortnight at Aldeburgh (Part 5): Mechanics, Inspiration, and Act 1 Of A Young Adult Novel

This is the fifth in a seven-part sequence of blogs going into the work on Come Bargain With Uncanny Things done during my Creative...

leodoulton

A Fortnight at Aldeburgh (Part 4): “There’s always a price”: Terry Pratchett & transactional magic.

This is the fourth in a seven-part sequence of blogs going into the work on Come Bargain With Uncanny Things done during my Creative...

leodoulton

A Fortnight at Aldeburgh (Part 3): What Is Come Bargain With Uncanny Things Now?

This is the third in a seven-part sequence of blogs going into the work on Come Bargain With Uncanny Things done during my Creative...

leodoulton

A Fortnight at Aldeburgh (Part 2): What Is The [cough] Point of Come Bargain With Uncanny Things?

This is the second in a seven-part sequence of essays going into the work on Come Bargain With Uncanny Things done during my Creative...

leodoulton

A Fortnight at Aldeburgh (Part 1): A Conversation With Le Guin About Community & Interactive Theatre

This is the first of a seven-part sequence of essays going into the work on Come Bargain With Uncanny Things done during my Creative...

leodoulton

Come Bargain With Uncanny Things - some early reflections

First: it worked. You can make an opera without a score, where the audience have genuine control of the outcome, which can adapt to...