LEO DOULTON

I am a firm believer that process defines output. One reason for UK theatre’s distinctive feeling (and comparative lack of...

This blog is part of a series on how I came to write Come Bargain With Uncanny Things (tickets available now!). If you want to read the...

This blog is part of a series on how I came to write Come Bargain With Uncanny Things (tickets available now!). If you want to read the...

This blog is part of a series on how I came to write Come Bargain With Uncanny Things (tickets available now!). If you want to read the...

Yesterday, I blogged about terms I use a fair bit in my practice that I haven’t seen much/at all in other people’s work, but might be of...

Being completely honest, this is a very indulgent article which is intended to force me to define what I mean by certain terms core to my...

Thoughts on VO’s birthday, for the record. This is going to be a long one, I suspect. PART 1: The Beginning I’m genuinely surprised it’s...

Recently, I updated the website, and realised that the text on my directing page that said I struggled to define my style was no longer...

And it, more or less, feels good. Good to make theatre that maybe not everyone will like, and is definitely a bit rough around the edges...

There's a devising project I do with some old friends who now have proper jobs. Without wanting to damage the secrecy of the room, I want...

Sometimes I write blogs to clarify my thoughts about matters of theatrical theory and practice. Today I'm doing it because tomorrow is my...

So, The Tsar is now in rehearsals (and on sale). Having spent most of last week in music calls, we're taking a two-week break to give our...