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Coming To Come Bargain With Uncanny Things Strand 3: No Hero, No Journey
This blog is part of a series on how I came to write Come Bargain With Uncanny Things (tickets available now!). If you want to read the...
leodoulton
Oct 21, 20223 min read


Coming To Come Bargain Strand 2: Four Alternative Approaches
This blog is part of a series on how I came to write Come Bargain With Uncanny Things (tickets available now!). If you want to read the...
leodoulton
Oct 20, 20225 min read


Coming To Come Bargain, Strand 1: Why I (Un-)love Opera
This blog is part of a series on how I came to write Come Bargain With Uncanny Things (tickets available now!). If you want to read the...
leodoulton
Oct 18, 20222 min read


A Case Against (Some) Subsidy OR Why I'm Trying To Make A Commercially Populist Opera
Introduction You may have seen the news of the failure of the ‘Festival of Brexit’, at over £500 subsidy per head for a deeply unpopular...
leodoulton
Oct 12, 20226 min read


The Bargains Begin: Starting Rehearsal For Come Bargain With Uncanny Things
After… four years of work, give or take, Come Bargain With Uncanny Things has reached its final R&D phase, ahead of a pilot run in late...
leodoulton
Oct 7, 20223 min read


Opera Awards Foundation Bursary
I'm delighted to have been one of the recipients of this year's Opera Awards Foundation Bursary, alongside some excellent people. Most...
leodoulton
Sep 7, 20221 min read


Apocalypse Proofed Shows
A plausible scenario for the near future The climate crisis has continued on its current course, with rising sea levels and regular...
leodoulton
Aug 21, 20224 min read


The Operatic Production Line
I am a twin. A few days ago, the good twin (Mimi) posted this: It’s a very sensible thread, and I’d encourage you to read it....
leodoulton
Jul 14, 20224 min read


Reality and Justice: On naturalism, verismo, and Puccini.
Prologue I am at times, an academic, and one of my specialisms is in the aesthetic philosophy of opera (in short, the ways people justify...
leodoulton
Jun 26, 202220 min read


The Operator, The Conductor, and The Dancer
An empty white void. Three figures walk in - Ortrud the Operator, Cal the Conductor, and Dancing Dave. Ortrud wears a grungy hoodie and...
leodoulton
Jun 24, 20224 min read


In Praise Of Shapera's The King In Yellow
Paul Shapera is (probably) the most prolific opera composer of the 21st century. He’s also the one my operatic peers are least likely to...
leodoulton
May 23, 20224 min read


We Need To Talk About Geoffrey
About a fortnight ago, two very clever people posted Tweets bemoaning the lack of faith of sector leaders in modern (or, at least, 1945)...
leodoulton
Apr 14, 20225 min read


A Fortnight at Aldeburgh (Part 7): What Next For Come Bargain With Uncanny Things?
This is the seventh in a seven-part sequence of blogs going into the work on Come Bargain With Uncanny Things done during my Creative...
leodoulton
Feb 5, 20226 min read


A Fortnight at Aldeburgh (Part 6): Immersive Theatre As Modern Ritual
This is the fifth in a seven-part sequence of blogs going into the work on Come Bargain With Uncanny Things done during my Creative...
leodoulton
Feb 4, 20223 min read


A Fortnight at Aldeburgh (Part 5): Mechanics, Inspiration, and Act 1 Of A Young Adult Novel
This is the fifth in a seven-part sequence of blogs going into the work on Come Bargain With Uncanny Things done during my Creative...
leodoulton
Feb 3, 20222 min read


A Fortnight at Aldeburgh (Part 4): “There’s always a price”: Terry Pratchett & transactional magic.
This is the fourth in a seven-part sequence of blogs going into the work on Come Bargain With Uncanny Things done during my Creative...
leodoulton
Feb 3, 20225 min read


A Fortnight at Aldeburgh (Part 3): What Is Come Bargain With Uncanny Things Now?
This is the third in a seven-part sequence of blogs going into the work on Come Bargain With Uncanny Things done during my Creative...
leodoulton
Feb 1, 20226 min read
![A Fortnight at Aldeburgh (Part 2): What Is The [cough] Point of Come Bargain With Uncanny Things?](https://static.wixstatic.com/media/bc8e61_59755e940f3d403195022d51d63af075~mv2.jpg/v1/fill/w_333,h_250,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/bc8e61_59755e940f3d403195022d51d63af075~mv2.webp)
![A Fortnight at Aldeburgh (Part 2): What Is The [cough] Point of Come Bargain With Uncanny Things?](https://static.wixstatic.com/media/bc8e61_59755e940f3d403195022d51d63af075~mv2.jpg/v1/fill/w_454,h_341,fp_0.50_0.50,q_90,enc_avif,quality_auto/bc8e61_59755e940f3d403195022d51d63af075~mv2.webp)
A Fortnight at Aldeburgh (Part 2): What Is The [cough] Point of Come Bargain With Uncanny Things?
This is the second in a seven-part sequence of essays going into the work on Come Bargain With Uncanny Things done during my Creative...
leodoulton
Jan 31, 20224 min read


A Fortnight at Aldeburgh (Part 1): A Conversation With Le Guin About Community & Interactive Theatre
This is the first of a seven-part sequence of essays going into the work on Come Bargain With Uncanny Things done during my Creative...
leodoulton
Jan 30, 20229 min read


The Radical Audition: A Quest
What’s the best way to do auditions? Auditions suck. There’s no feeling like that of sending an email to say no to someone talented who’s...
leodoulton
Jan 17, 20225 min read
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