Does the Human Rights Act apply to uncanny things?
In a brief but enjoyable tangent while developing Come Bargain With Uncanny Things, I had reason to consider what legal rights applied to...
Does the Human Rights Act apply to uncanny things?
Why Operation Mincemeat is brilliant (A partial answer)
A Fortnight at Aldeburgh (Part 7): What Next For Come Bargain With Uncanny Things?
A Fortnight at Aldeburgh (Part 6): Immersive Theatre As Modern Ritual
A Fortnight at Aldeburgh (Part 5): Mechanics, Inspiration, and Act 1 Of A Young Adult Novel
A Fortnight at Aldeburgh (Part 4): “There’s always a price”: Terry Pratchett & transactional magic.
A Fortnight at Aldeburgh (Part 3): What Is Come Bargain With Uncanny Things Now?
A Fortnight at Aldeburgh (Part 2): What Is The [cough] Point of Come Bargain With Uncanny Things?
A Fortnight at Aldeburgh (Part 1): A Conversation With Le Guin About Community & Interactive Theatre
Fish and Phantoms - Seven Quick Reflections on Week 1 of a Creative Retreat
The Radical Audition: A Quest
Archive From Another World published!
Things I didn’t Tweet in 2021: An Unthreaded Blog
The Old Directing Text
The Lich Pagliacci
Come Bargain With Uncanny Things - some early reflections
What happens if you analyse opera like a TTRPG? - Part 3 - What Social Theory Can A Game Opera Have?
What happens if you analyse opera like a TTRPG? - Part 2, opera as social game
What happens if you analyse opera like a TTRPG? - Part 1, games as social theory
The Unimaginable Liberation Of The Singer - The Nice and the Radical