Thank You For Coming To Leo Doulton’s Birthday Funeral
- Aug 5, 2023
- 3 min
Formal, Casual, Fancy: Some Thoughts On Operatic Audience Clothing
- Jul 30, 2023
- 11 min
You Can’t Shoot The Audience: Interacting, Immersively, with the Tragedy of War
- Jul 23, 2023
- 12 min
Toilet Trips In The Burnt City
- Jul 13, 2023
- 4 min
Six Blogs From Away
- May 27, 2023
- 1 min
Paradise Craved: How You Fall
- May 14, 2023
- 2 min
Rehearsal Friends
- May 9, 2023
- 3 min
Performing Invisibly; Invisible Performance
- Apr 25, 2023
- 2 min
How To Get Money From Rich Old Men: An Anti-Manifesto
- Apr 19, 2023
- 5 min
The Least We Can Possibly Do
- Apr 16, 2023
- 5 min
Free Choices, Free Goals, Ending Goals: Changing the Win Condition In Interactive Theatre
- Mar 31, 2023
- 9 min
I Did Not Consent To Immortality
- Mar 29, 2023
- 4 min
LARP as score
- Mar 21, 2023
- 1 min
I Like Reading (Or: Caveating The Last Blog)
- Mar 19, 2023
- 8 min
2 Sides of A4: The Optimal Length (For Interactive Theatre Knowledge)
- Mar 15, 2023
- 3 min
Finding The Margins: Looking At Interactive Theatre Through LARP & labour
- Mar 15, 2023
- 1 min
Leo: A Plug
- Mar 14, 2023
- 5 min
Horizontal Mechanics, 12-Handed Monopoly, and Nothing Is Ever New
- Mar 4, 2023
- 6 min
Being and Doing: Default Modes of Play
- Feb 24, 2023
- 3 min
Outside The Dungeon: Some Possible Sources For New Kinds Of Mechanic