To The Victory Of Cake
- Nov 15, 2022
- 1 min
I am the one who mops: a cult-like philosophy of directing
- Nov 10, 2022
- 4 min
Onboarding As Journey
- Nov 8, 2022
- 15 min
Some initial thoughts on the NPO Announcement
- Nov 2, 2022
- 2 min
Forming Interactive Ritual-Opera: What Might You Expect?
- Oct 25, 2022
- 9 min
Opera Is Aristocratic (And Not Just In The Obvious Ways)
- Oct 23, 2022
- 1 min
Coming To Come Bargain Strand 5: Things people have called me to compare me to uncanny things
- Oct 22, 2022
- 8 min
Coming To Come Bargain With Uncanny Things Strand 4: The Reading List Cometh
- Oct 21, 2022
- 3 min
Coming To Come Bargain With Uncanny Things Strand 3: No Hero, No Journey
- Oct 20, 2022
- 5 min
Coming To Come Bargain Strand 2: Four Alternative Approaches
- Oct 18, 2022
- 2 min
Coming To Come Bargain, Strand 1: Why I (Un-)love Opera
- Oct 12, 2022
- 6 min
A Case Against (Some) Subsidy OR Why I'm Trying To Make A Commercially Populist Opera
- Oct 7, 2022
- 3 min
The Bargains Begin: Starting Rehearsal For Come Bargain With Uncanny Things
- Oct 1, 2022
- 2 min
A Tribute To The York Shakespeare Project
- Sep 25, 2022
- 11 min
The sovereign is dead. So too the nation?
- Sep 17, 2022
- 4 min
People Are People, And The Universe Doesn’t Care: Uzumaki as a success in longform cosmic horror
- Sep 7, 2022
- 1 min
Opera Awards Foundation Bursary
- Aug 21, 2022
- 4 min
Apocalypse Proofed Shows
- Jul 30, 2022
- 19 min
On Being The Dead: Interactive Theatre & Historical Figures
- Jul 27, 2022
- 1 min
Publication And Longlisting!